Showing posts with label CGI animation. Show all posts
Showing posts with label CGI animation. Show all posts

Sunday, March 26, 2023

REVIEW: Pokemon Detective Pikachu (live action/CGI animated movie)

Pokemon Detective Pikachu is a blend of mystery, fantasy, and comedy. I bought my copy new.

Review:

When Tim Goodman was younger, he wanted to be a Pokemon trainer. However, he left that dream behind after his mother's death and his estrangement from his father, Harry. He viewed his father as being more interested in spending time with Pokemon than with him. After receiving word that his father has died in an accident, Tim goes to his place to find out details and take care of things, only to discover a Pikachu who can talk (but only to him) and who claims to have been his father's partner. The two of them team up to discover what happened to Harry, restore the Pikachu's memories, and stop whoever is distributing R, a drug that makes Pokemon confused and violent.

Sunday, September 25, 2022

REVIEW: Oblivion Island: Haruka and the Magic Mirror (CGI animated movie)

Oblivion Island is a CGI-animated Japanese fantasy movie for children. I bought my copy used.

Review:

Haruka's mother died when she was little. Her most precious keepsake is a mirror her mother gave her. She swore she'd always take good care of it, but as she grew older she eventually realized she'd lost track of it. She goes looking for it and spots a fox-like creature she recognizes as a being her mother once told her about - they take once-beloved items from neglectful owners. She follows the being, named Teo, and makes him promise to help her find her mirror. However, the mirror has been claimed by the most powerful being on Oblivion Island, so it won't be easy for Haruka and Teo to get it back.

Sunday, March 14, 2021

REVIEW: Scumbag System, Season 1 (CGI donghua TV series)

Scumbag System is based on a Chinese BL fantasy web novel I've generally seen translated as The Scum Villain's Self-Saving System. I watched it on Tencent Video's Youtube channel, which I'm fairly certain is official, since Tencent is listed as one of the show's producers.

Review:

The protagonist (Shen Yuan) is a contemporary Chinese guy who's just finished a very long web novel and is looking forward to trashing it in online forums. However, in the middle of typing his comment, he chokes on a meat bun and is transported into the novel.

The novel's villain, Shen Qingque, is the Lord of Qing Jing Peak and master of Luo Binghe, the novel's protagonist. He not only stands by as his other disciples bully and beat Luo Binghe, he also beats Luo Binghe. Binghe eventually masters demonic cultivation and, long story short, hunts down anyone who ever abused him, beats them, and makes any young and attractive women in their lives (their daughters, female childhood friends, etc.) fall in love with him and join his massive harem. Eventually he traps Shen Qingque in a pot and, I think, tortures and/or kills him.

Shen Yuan's problem is that he wasn't reborn as Luo Binghe, the protagonist with invincible plot armor. No, he was reborn as Shen Qingque, and if he can't figure out how to change the story, he's going to end up a broken man trapped inside a pot. Unfortunately for him, the mysterious System that transported him into the novel also has a few rules for him to follow. At least initially, he's not allowed to behave out of character without losing B points, and if his B points drop to zero, he's dead.

Saturday, August 22, 2020

REVIEW: Resident Evil: Degeneration (CGI animated movie)

Resident Evil: Degeneration is an action horror movie, part of the Resident Evil franchise.

This review includes slight spoilers.

Review:

I'm going to start this off by saying that I am not the target audience for this movie. My exposure to the Resident Evil franchise is almost solely limited to the live action movies. I've seen a small part of a Let's Play video of one of the games, something where Leon was the  playable character, and I once attempted to play one of the games and didn't even survive more that a few minutes (my first instinct was to try to shoot the zombie rather than avoid it like I was supposed to). I'm sure I missed out on a lot of backstory and world-building.

The movie begins at an airport. Claire Redfield's plane has landed, and she's waiting for her ride with a little girl named Rani when she spots Senator Ron Davis, a self-important guy who's easy to hate. Senator Davis is one of the stockholders of WilPharma, a controversial pharmaceutical company that Claire opposes. Anyway, they barely have a chance to say anything before a zombie attacks, a zombie-infested plane crashes into the airport, and the entire place dissolves into chaos. Luckily for Claire, Rani, and the senator, federal agent Leon S. Kennedy has been sent to the scene for reasons (terrorist threats), and he has time for a rescue mission. His team includes two members of the local Special Response Team, Angela and Greg, neither of whom have a clue what they're in for (even though Leon tells them).

REVIEW: Inside Out (CGI animated movie)

Inside Out is an animated drama with comedy and action elements. I bought my copy new.

Review:

When Riley was born, a place inside her manifested beings that each control one of five basic emotions: Joy, Anger, Fear, Disgust, and Sadness. Each of these being loves Riley and wants what's best for her. The very first emotion to manifest was Joy, and it is Joy who generally dominates Riley's control room.

When Riley is 11, her dad's job leads to the family moving from Minnesota, where she had lots of good memories, friends, a nice house, and hockey, to San Francisco. From the very beginning, it isn't a good experience. Their new house is crammed in between other buildings, doesn't have a yard, looks shabby, and has a dead mouse on the floor. The moving truck is going to be several days late. But Joy is Riley's dominant emotion, and so she tries to make the best of things. However, something strange is going on. For some reason Sadness keeps accidentally affecting Riley's memories, including the most sacred ones of all, her core memories, the ones that define who she is. 

Sunday, October 9, 2016

REVIEW: Ajin, Season 1 (anime TV series, CGI animation)

Ajin is a mix of action, mystery, and fantasy (sci-fi?). This first season is 13 episodes long.

Review:

It's been almost a year since I last watched and reviewed anime. I figured it was finally time to watch something new, so I checked my Netflix queue and picked Ajin.

Ajin stars Kei, a high school student who is completely and utterly focused on the bright future his mother has outlined for him, to the point that he even ditched his best friend Kai when his mother said Kai would be a bad influence on him. Kei never toes the line and never does anything wrong...but then he's hit by a truck and his whole world changes. Instead of dying or waking up in a hospital, Kei gets back up again like nothing happened, proving to everyone that he's an Ajin, an immortal being. Ajin are considered nonhuman, and it is Kei's fate, from that point forward, to be hunted down like an animal, captured by the government, and put through horrific tests. However, with a bit of help Kei manages to evade capture and soon learns that there are more Ajin out there than has been made public.

Saturday, April 9, 2016

Zootopia (CGI animated movie), via the movie theater

Zootopia is children's cop/mystery movie.

I opted not to include watch-alikes or read-alikes, although I'm now on the lookout for 1) decent furry (anthropomorphized animals) fiction that I haven't read before and that doesn't cost an arm and a leg and 2) fiction with prominent cross-gender friendships that don't become romantic (harder to find than I expected, especially since I'd prefer stuff written for older teens or adults). Feel free to recommend some in a comment, if you'd like.

Review:

I probably wouldn't have gone to see Zootopia if it hadn't seen all the positive viewer comments about it. People whose opinions I usually trusted said it was far better than they'd expected. Of course, some of those same people also said that Star Wars: The Force Awakens was the best movie ever, so I tried to take their recommendations with a grain of salt.

Most of what I knew about Zootopia was based on the one theatrical trailer I'd seen, the clip of Nick, the fox, and Judy, the rabbit, at the DMV. This clip was okay the first time around, but it was almost painful to watch the second and third time. It also left me with the impression that Zootopia didn't really have much of a plot. Thankfully, the movie was much better than that clip led me to believe. In fact, I loved it so much that I went to see it a second time.

I'll keep my synopsis as spoiler-free as possible, but keep in mind that that means I have to leave out a lot. Basically, in the world of Zootopia, mammals have evolved to the point where they've become sentient. Predators and prey now live in peace, although prejudice is still a problem – animals who were traditionally prey are sometimes fearful of animals who were traditionally predators, and foxes, in particular, are looked down upon (why foxes and not tigers, lions, or any number of other predators? I have no idea).

Judy is a rabbit living in the rural town of Bunnyburrow. Although her parents would love it if she became a carrot farmer like them, Judy's greatest dream is to become a police officer, the very first bunny cop. She accomplishes her dream and is even assigned to Zootopia, the big city she's always wanted to visit, but reality isn't quite like she imagined. While doing her job and trying to keep her spirits up, Judy meets Nick, a cynical and street smart con artist fox. After Judy makes a rash promise, Nick becomes her best bet for finding the missing predators and keeping her job.

Sunday, August 30, 2015

Expelled from Paradise (anime movie), via Netflix

Expelled from Paradise is a science fiction anime movie. I watched it in Japanese with English subtitles.

This review includes some spoilers

Review:

Angela Balzac is one of the inhabitants of DEVA, a space station where everyone has an entirely online existence. When someone hacks DEVA to deliver a message, DEVA's ruling body sends Angela and others down to Earth to try and track them down. Because it's her first time in a physical body, Angela is paired up with Dingo, a man on the planet who has done jobs for DEVA in the past. Angela's time on Earth causes her to doubt the superiority of life on DEVA.

Friday, January 2, 2015

Dragons: Dawn of the Dragon Racers (CGI animated short film), via Netflix

It's been a while since I last saw either of the movies, but I'm pretty sure Dawn of the Dragon Racers takes place between the first and the second. Hiccup, Snotlout, and Astrid argue over who invented dragon racing, which leads to a flashback of dragon racing's beginnings. A big boat race called the Regatta is taking place soon, and there's some panic, because a bunch of sheep have gotten lose. The various dragon riders round up the sheep, and, despite Hiccup's complaints, the whole thing turns into a competition. While Hiccup's dad is away, everyone realizes they kind of enjoyed the dragon racing, and it gets turned into an actual game, with points and rules.

This was...okay. I'm not sure why most of it was structured as a flashback, rather than just being a short film set in the recent past. The animation was nowhere near the quality of the movies, but the characters' efforts to outdo each other and gather the most sheep were kind of fun to watch. Hiccup couldn't seem to decide whether to protest everyone's competitiveness or join in on the fun. I was a little surprised that no one accidentally set Fishlegs' boat on fire while going after the sheep, although that didn't stop his plans from getting ruined anyway. He got over that amazingly quickly.

Meh. I didn't go into it expecting much, with it only being 26 minutes long. I don't regret watching it but have no desire to ever rewatch it. At the same time, I haven't watched any of the other How to Train Your Dragon shorts and have no idea how this one compares.

Monday, July 2, 2012

Brave (CGI animated movie) - at the movie theater

Before seeing Pixar's Brave, I had watched both the American and Japanese trailers for it. Neither trailer tells you much about what the movie is really about, and the Japanese trailer, in particular, left me with the impression that the movie would have some kind of nature-related message.

Synopsis:

As a child, Princess Merida grew up wild, free to do pretty much what she liked. Her father taught her archery, and it became one of her strongest skills. As she grew older, her mother put more restrictions on her behavior, determined to turn her into a lady. Merida doesn't really consider what that might mean for her, until her parents finally tell her that she will be expected to marry the first-born son of the leader of one of the three neighboring clans.

Merida attempts to win the right to decide her own fate, but the results are disastrous, putting a rift between her and her mother and leaving the clans at each others' throats. In despair, Merida runs off and eventually comes across a witch who promises to give her a spell that will change her mother and thereby change her fate.

Unfortunately, the spell does things that Merida never intended, and if she doesn't figure out how to set things right soon, the effects will be permanent.

Review:

I think seeing Snow White and the Huntsman so recently made me appreciate this movie more. Brave was clearly written by someone (according to IMDb, Brenda Chapman) who knew what kind of story they were telling and stuck to it. There was no romance shoe-horned in at the last second. This was, pure and simple, a story about a mother-daughter relationship.

Saturday, May 26, 2012

Kaze, Ghost Warrior (CGI animated movie)

I own this on DVD. It's approximately 22 minutes long. As far as I know, there is no longer any way to buy this, not even from Timothy Albee's site. It has been uploaded onto YouTube in three parts, although there's no indication that I can see that it was uploaded with Albee's permission.

My synopsis is spoilery, if you can call it that when the film itself is so short on actual story. I just thought I'd warn people anyway.

Synopsis:

I'm not entirely sure what to write - as I'll discuss in my review, one of Kaze, Ghost Warrior's biggest problems is that it's more tell than show. Not much happens during its 22 minutes.

The film is set in what appears to be something along the lines of feudal Japan, except instead of people there are furries (anthropomorphic animal characters - think Disney's Robin Hood). It starts off with an innkeeper telling the story of the royal family. Sometime in the past, the entire family, including Bay, was killed. Bay and Kaze, a guardsman, were in love, and it is said that Kaze still roams the land, looking for Bay's murderers.

An anthropomorphic tiger character, who we later learn is Kaze, enters the inn, and a rowdy group that I'm pretty sure works for the ones who killed the royal family tries to goad him into a fight. Kaze saves the server they dragged into the fight and gets one of the villains to tell him who he works for. After the fight is over, the innkeeper, who is still loyal to the royal family, treats Kaze's wounds. He gets Kaze to admit his true identity by revealing the picture of Bay he keeps hidden. Kaze thanks him and leaves to mourn Bay and is attacked again by the villains. Although he would have preferred not to, Kaze kills them all. I think. This film was...a little confusing.

Review:

IMDb has one sentence that sums up what drove this film's creation: “Made by one person, on two home computers, in six months of production for $5,000.” The ending credits are unintentionally hilarious, separately listing every role and task (music, production design, director of photography, etc.), almost always with Timothy Albee's name.

Back when this first came out, I saw a few screenshots and thought they looked gorgeous. When I heard that Kaze, Ghost Warrior was intended to show that one person could, in a reasonable amount of time, create an animated movie on par with movies in the past that have taken dozens or more people to create, I was excited. I can't remember what other details Albee gave out at the time, but I do remember somehow getting the impression, possibly due to my assumptions about the word “movie” and the DVD's price tag (a whopping $17.95), that it was a full-length movie. The film's 22-minute length was a disappointment, but I might still have been happy if those 22 minutes had actually been good. Unfortunately, they weren't.

Monday, December 21, 2009

A lazy movie post about Avatar

I'm too lazy to write something long and complete up for Avatar (plus, I strongly suspect I'll be buying the DVD when it comes out), but I wanted to at least write something. I saw the movie yesterday and really enjoyed it (although, again, probably not good for my hearing...). The visuals were gorgeous - I liked it all so much that I actually got teary-eyed when it was all being destroyed. There were times when it was easy to forget that the Na'vi weren't humans dressed up with prosthetics, the movements and facial expressions were that good. As a general lover of romantic stories, I loved the romantic storyline. One of my favorite parts was when Neytiri first got to see Jake in his real body and not his Na'vi body. Seriously, if someone hasn't already written romantic Na'vi fanfic, it's probably only a matter of time.

Now, let's say the movie hadn't looked as good as it did, and let's say I weren't a sucker for romance. The movie's basic story has been done before. One example would be Anne McCaffrey and Elizabeth Ann Scarborough's Powers That Be. A damaged military-type person going to a strange new planet because he/she doesn't have much of a choice? Check. A planet where everything is connected and alive, threatened by people who just want to take what they view as its only riches and leave it a dead husk? Check. A main character who slowly learns the local ways, even as he/she is supposed to be betraying new friends, and ends up falling in love? Check. There may be more similarities that I haven't thought of, but you get the idea. I'm sure there are other books or movies out there that also share a lot of similarities with this movie. No, it's not exactly an original story. Also, with all the time what was spent on shots of the scenery, Jake learning stuff, and Jake and Neytiri being together, there wasn't time to give everything else the same attention, so some aspects suffered from that. Several of the military guys and the corporate guy were cardboard bad guys. Cardboard bad guys kind of annoy me.

Considering the time frame in which this was all supposed to be happening (a little more than three months for all of it, I think), some things were just unbelievable. Other than a bit of stumbling at first, Jake got used to an entirely new and differently proportioned body (with a tail and "hair" that can interface with almost anything on the planet) in a few minutes, maybe a few hours. For some unknown reason, Jake was allowed to be a guard for a sample-collecting research group despite the fact that he apparently had had no training on the planet's flora and fauna. When Jake is taken in by Neytiri's people, he manages to learn everything he needs to know, including how to speak their language fluently, in only three months. I'd have to see the movie a few more times to get a better idea of the language, but, at the very least, it seems to have a very different sentence structure than English, either Object Subject Verb or Object Verb Subject. Either way...he learned it in three months?!

And still, I enjoyed the movie. I only saw it in a regular movie theater - I'd probably go see it at an IMAX theater if the closest one weren't two hours away.

Friday, October 9, 2009

9 (CGI animated movie)

I saw this over a week ago and didn't finish my entry for it until today, so I may be a bit fuzzy on some of the details - I'll try my best. I stumbled upon a preview of this movie on someone's blog a while back and was looking forward to it ever since then. I wasn't entirely sure it would make it to my town's movie theater, but it did.

There is still a general perception in the U.S. that "animation" means "perfect for all the kiddos." That seemed to be the assumption of many parents during the showtime I attended, just based on the number of small children in the theater. There's no blood in the movie, and most deaths happen nearly off screen (as a guy falls and dies, his arm will pass into view, but you'll see nothing else). The only on screen deaths are those of several of the little dolls that are the movie's focus (and I'm not even sure those were completely on screen - that's one bit where my memory isn't much help). There's also one character who engages in something almost like drug use (he's one of the little dolls and uses a magnet to pleasantly fuzz his brain for a bit).

If there are any parents who were blindsided by this movie (what do they think the word "post-apocalyptic" means, anyway?), the things I just mentioned are probably the things they will focus on when they work up a good mad over this movie. The thing that really struck me, though, was the ending. I'm not going to give any spoilers right now (for that, you'll have to read the synopsis), but the film ends in a way that I think is supposed to feel happy (hopeful?). For any kids in the audience, maybe it does feel happy. For any older viewers who take a second to think things through, though, it's anything but.

Synopsis:

(Check this out for some great 9 movie posters that serve the added purpose of helping the confused remember who's who.)

Something terrible has happened that has killed every living thing in the world. With the last of his strength, an old man creates a little doll with the number 9 written on the back of it and gives it life. When 9 awakens, it is to an empty, ruined world. His creator lies dead on the floor and 9, who can't yet speak, is soundlessly horrified. He leaves, not noticing the papers on the floor detailing his creation. He takes with him the small, strange object that was with him when he woke.

The empty world, with its occasional glimpse of corpses, frightens 9, but he manages to find a friend. His new friend, 2, is like him, a tiny doll with a number on its back. 2 is a kindly inventor and helps give 9 the ability to speak. He is astonished and excited by the object 9 carries with him, but before he can speak to 9 about it, a beast with an animal skull for a head comes and takes 2 and the object away. 9, who is now damaged, walks until he collapses and is picked up and taken care of by 5, a one-eyed doll.

5 is something of a healer, but he is easily cowed by 1, the dolls' self-appointed leader. 1 is guarded by 8, a great hulking brute of a doll who wields a knife (he's the magnet-user I mentioned) - 1 (according to himself) knows best, because it was he who helped all the numbered dolls find safety while war was still raging. 1 writes 2 off, despite 9's assurances that he was alive when he was taken. 1 waited until poison killed off all humans and other lifeforms, and now 1 wants to wait until the beast, too, is gone. 9 decides to go after 2 on his own, and 5, despite his fear of 1 and 8, goes with him, because 2 is his friend.

9 and 5 do manage to find 2 and receive help defeating the beast from an unexpected source - 7, the only female doll (voice-wise, at least), a fearless warrior 5 had thought dead. Unfortunately, 9's curiosity gets the better of him, and he places the strange object he woke up with on something with matching symbols, without considering the potential ramifications of his actions. 2 pushes him out of the way and his life force/soul is sucked out of his body in moments. This then awakens a giant, terrible machine. 7, 9, and 5 barely manage to escape, and 7 takes them someplace where they might be able to find out what happened and what they can do to stop it. They meet with two more dolls 5 thought had died, 3 and 4, shy, silent twins who piece together and catalog whatever they can find about their ruined world's history and teach others whatever needs to be known. The twins recognize the machine - it's the same machine that killed everything. As for the symbols, 5 recognizes them as symbols that 6, a wild artist with visions, paints over and over again.

Although seeing 6 and his paintings would involve going back to 1, 9 is sure that this is necessary. He and 5 go and are caught by 1 and 8, but suddenly everyone finds themselves in danger when a bird-like machine enters 1's sanctuary and attacks. Fortunately, everyone is saved, but there is friction among the dolls. 1 still believes he knows what's best, 7 doesn't like him very much, etc. 3 and 4 have discovered that the symbols on 9's mysterious object were part of some sort of soul transference technology (magic?).

Meanwhile, 8 is busy standing guard. And using a magnet on his head. Anyway, the big scary machine has created a new little scary machine using, among other things, 2's body. This new little machine, which is a bit like a freaky, horror-movie cobra, hypnotizes its prey and then captures it inside its own body. It captures 8 and, if I remember right, 7. 1 doesn't think they should go after them, but 9 decides they should. He offers to go in and save them while 5 waits outside to blow the whole building up if he isn't able to make it out in a reasonable amount of time. 9 watches in horror as the machine "eats" 8's soul, although he manages to save 7 in time. 5 blows the building up, and there is much celebration.

Unfortunately, they all celebrated too soon. The big machine is still functional, and it eats 5's soul. 1 and 7 want to destroy the machine, but 6 says no, that everyone that was taken is trapped inside the machine. Then 6's soul is taken.

9 runs off on his own, back to the "source" - the place where he woke up. It is here that he finds the message his creator left him. His creator was also the creator of the machine, but the machine, which only contained its creator's intellect and not his soul, turned upon humanity and destroyed everything. So that life of some kind could continue to exist, the machine's creator made the dolls and gave each doll a facet of his own soul. The mysterious object he left with 9, the last of the dolls, has the power to destroy the machine.

9, armed with this new information, rushes back. 7, 3, 4, and 1 are trying to destroy the machine, but 9 assures them that he can destroy it and free those who were taken using the object. 9 wants to lure the machine while someone else presses the object's symbols in the right sequence, but, at the last moment, 1 takes his place. 1's soul is taken, and 9 presses the symbols. The machine is destroyed and the souls are stored in the object. Later, at a kind of funeral service for the dolls, the souls are freed. They say goodbye and go wherever it is that soul fragments go.

In the end, 9, 7, 3, and 4 are left. The machine is gone, and the world is theirs to live in now. Of course, there doesn't seem to be much world left to live in.

Commentary:

I wasn't aware, until a student worker at my library told me, that this movie is based on a short film. One place to watch the short film is here. Some of its elements, like the strange glowing object, the light bulb staff, and the final grave and ghost scene, can also be found in the movie, but other than that a lot was changed and added to when the longer movie was made. For instance, it looks like 9 is the only one left in the short film - everyone else had their soul sucked out by the creature and their skins incorporated into the creature (you can see their numbers on the creature's back).

The main reason I was looking forward to this movie was the animation. The way human skin is rendered still doesn't look quite right (although it's still much better than some CG films I've seen), but humans appear so rarely in the movie that this really doesn't become a huge issue. Most of the things that do appear in the movie involve textures that are rendered very nicely. This is a nitpick, but the only thing that bothered me a little was something about the way the cloth on the dolls' faces moved. It seemed to stretch in ways that didn't quite look natural to me. Still, for the most part everything looked really good.

It impressed me, how easy it was to tell each of the little numbered dolls apart. They all had very distinct personalities, and I liked the character designs (8 reminded me a little of a character in Tim Burton's The Nightmare Before Christmas, though). I liked the designs of the little machines, too, especially the cobra-like one. That one would be enough to give some people nightmares. Its abilities reminded me a little too much of the Grand Fisher in Bleach (another baddie that used the dead as lures), but otherwise it was a terrific bit of horror. The big machine was, in my opinion, the most ho hum of all the characters in the movie. I think it was ripped straight from the Matrix movies - its design (red glowing eye, octopus "legs", blue crackly effects, etc.), its menace, its ability to create more machines all on its own. That was a general problem, I suppose - even as I admired certain character designs, I kept getting reminded of other shows and movies. 7, for instance, made me think of the Minotaur in Tekkonkinkreet whenever she wore that bird skull and brandished her weapon.

Overall, I enjoyed the movie's visuals and the weirdness of the characters. I liked the gradual uncovering of the story behind the dolls' creation. The strange mix of technology and magic didn't bother me too much (who knows, that soul transference stuff might have been a very advanced kind of technology). I think the thing that bothered me the most about the movie was its very bleak ending.

The tone of the ending doesn't seem bleak, and maybe the movie's creators want people to come away with a hopeful feeling. I mean, the Big Bad is dead. That's great. But still. As far as we know, the only living things left (unless there's life on other continents that has survived poison gas being pumped into the air) are four little dolls. They can't create more little dolls, because they'd need more souls in order to do that. They can't reproduce, because they're just dolls. (Was it just me, or was there a hint of shy romance between 9 and 7? And, since they're facets of the same soul, wouldn't that be a little weird?)

So we're left with a dead world and four little dolls. I had a hard time figuring out the timeline of everything (it didn't look like the old man had died too long ago, and yet some of the ruins and dead appeared to be a lot older - also, 1 talked like the poison had been pumped into the air years ago). Maybe the hope is supposed to come in the form of life coming back to the planet eventually? Just looking at all the devastation, it doesn't seem very likely, but that all the hope I can see.

Some people might not mind such a bleak ending. I'm more of a "happy ending" kind of girl. I know, I know, I probably shouldn't have gone to see a movie set in a post-apocalyptic world, then, but, you never know, sometimes even films (or books) like that manage to end on mostly happy note. I just didn't really feel like that was the case with this one. I'm glad I saw the movie, but I needed a good dose of happy afterward.

This list of watch-alikes and read-alikes could be better - I had a tough time thinking of things to list that weren't all created by Tim Burton.

Watch-alikes and Read-alikes:
  • I Am Legend (book) by Richard Matheson - A terrible plague of some kind has turned almost all of humanity (and many animals) into blood-thirsty creatures of the night. Robert Neville, who is immune to the disease, appears to be the only remaining uninfected human, although he is hopeful that there are others like him out there and that he can find a cure for the disease. Like 9, this is set in a post-apocalyptic world, but it's bleaker than 9 (at least the dolls have other dolls they can talk to). This book has been made into a movie featuring Will Smith - the movie is, not unexpectedly, pretty different from the book, although it keeps the basic premise. Personally, I enjoyed the book more.
  • The Matrix (live action movie) - A hacker finds out that the "real" world is only a construct designed to keep people docile, so that they can be used as living batteries by robots - this hacker discovers that he is the only one who can free humanity from these robots and the constructed world. Those who like 9's "machines turning against humanity" theme might like this movie.
  • The Nightmare Before Christmas (stop motion movie) - Jack Skellington of Halloween Town is bored of frightening people. When he discovers Christmas Town, he becomes obsessed with Christmas and eventually tries to take over Santa's role. Most of Halloween Town gets involved, but they all have a twisted idea of what Christmas is like. It's a recipe for disaster, and only Sally, a rag doll woman who is secretly in love with Jack, seems to realize this. Can she free Santa and stop Jack before Christmas is ruined? Those who liked some of the creepy visuals in 9 might like this movie.
  • The Melancholy Death of Oyster Boy: and Other Stories (book) by Tim Burton - This book features several macabre stories about boys and girls who are a little...strange. They try their best to fit in with the rest of the world, even though they look odd or aren't quite human, etc., but things never seem to go well for them. It's humorous, but in a dark and twisted way. Those who liked the aesthetics and strangeness of 9 might like this book.

Thursday, August 6, 2009

Here's what I could be writing about...

I'm reaching new levels of pathetic - I can't seem to make myself write my posts! Or update my Shelfari bookshelf. Also, I managed to damage myself while sleeping and now can't turn my head all the way to the right - yesterday it hurt enough that I tearfully gobbled down arthritis-strength Tylenol just so that I could keep cataloging (we're about to get a 500-book shipment in, all at once, and I'm the only cataloger...), but today I'm doing a bit better and can laugh at how stupid the situation is.

So, since I can't offer anything else at the moment, I'll just write up a list of most of the stuff I'm procrastinating on writing about. As in, I haven't even written notes for myself. Crud. Well, I'll include some mini notes here.
  • Foul Play by Janet Evanovich - A woman's job (as a TV clown entertaining children) is taken by a chicken. She gets blamed when the chicken goes missing, but, not to worry, a veterinarian who has fallen instantly in love with her is there to help her clear her name and figure out the true culprit. It's goofy romance - you've really got to be in the right mood to enjoy this sort of thing. I was in the mood for the romance, but not so much the mystery. Oooh, missing chicken, how mysteeerious...
  • Slumdog Millionaire - It's amazing how much hype you can miss out on when you don't watch TV and only vaguely pay attention to news online, but even I heard about this movie. I just didn't want to pay $20 for it. So, when the local entertainment store had a "buy one clearance rental DVD, get a 2nd for $1" sale, I jumped on it. I liked the movie, but I felt the actual romance in it was lacking. The only thing I hated was the nearly unreadable subtitles. Also, I wanted to smack Jamal's brother.
  • Naughty Neighbor by Janet Evanovich - A press secretary with an annoying (and sexy) neighbor finds her life turned upside down when said annoying neighbor's troubles start spilling over onto her. These troubles involve politicians and a missing pig. Notice a missing animal theme? The mystery is even more pathetic in this book than in Foul Play, but I found the romance more interesting. This is actually kind of embarrassing to admit, and, if I ever manage to make myself write a full post, you'll see why.
  • Resident Evil: Degeneration - The Raccoon City tragedy is over, but that doesn't mean it's forgotten. After all, who could forget a bunch of zombies and other things even more horrific? Seeking revenge for the death of his family, a man lets the T-Virus loose, but things really start to suck when he becomes infected with the G-Virus. Actually, the outbreaks are pretty well-contained, so the horror is fairly small-scale. And kind of boring. With painful voice acting, despite the voice actors being veterans of many anime. The English voice actors - there's no Japanese language track. This was a horrible, horrible movie. I plan to sell it as soon as I've written a full post about it.
  • Promises in Death by J.D. Robb - Coltraine, Morris's girlfriend and a fellow cop, is killed and it's up to Eve Dallas to bring her murderer to justice. It's not just any old case for her, not just the job - and I was thinking, "when is it ever just the job for Dallas?", but Robb made such a big deal about this I had to mention it. Robb tried to play with readers' emotions by bumping Coltraine up to "Morris's increasingly important girlfriend" status in the previous book, but I found I couldn't work up the kind of shock and sadness over her death that Robb was maybe going for. I did really like Dallas's new car though. I wonder how she'll wreck it?
  • Serve It Cold by Ronnie Blackwell - One of my Podiobooks listening choices. It features several readers, but not quite enough people for me to always be able to tell the voices apart (especially when it comes to female characters). This one involves marijuana, nice New Orleans detail (not sure how accurate it is, but it all sounded good to me), a very fishy divorce case, some exhibitionists, art, and murder. I liked it, even though it was a bit too complicated for work time listening.
  • 8810 by Nicholas Taylor - Another one of my Podiobooks listening choices. A guy gets a job in the auditing department of a big insurance company and must deal with the boringness of his job, his coworkers (some become his friends, others are just weird, and some fall somewhere in between), and the Dilbert-like idiocy that is just a part of corporate life. It's kind of like The Office, only it's not consistently funny. However, it's still well worth a listen. Plus, I love some of the Colorado details - the bit about Halloween in Colorado is absolutely perfect and absolutely true.
  • Black Bird, vol. 1 by Kanoko Sakurakoji - Misao is horrified to discover that Kyo, her first love, is actually a tengu, a kind of demon, and that she has the dubious honor of being special - a demon who drinks her blood gains a long life, one who eats her flesh gains eternal youth, and one who makes her his bride will have a prosperous clan. Kyo wants her to be his bride and promises to protect her from all who would harm her, but Misao doesn't want him if he only wants her for what she can do for his clan. I don't know what the whole series will be like, but this volume was one big excuse for Misao to get hurt repeatedly, so that Kyo could heal her. By the way, he heals using licks and kisses. If you flip through it and think it has a lot of sex, that's because you're mistaking the healing scenes for sex scenes. I'm sure the similarity is intentional. It's not porn, but it's racy. I think it may become my guilty pleasure, at least until I tire of watching the many ways Misao can bleed all over the place.
  • Fullmetal Alchemist, Season 1, Part 1 - I now own the whole series (minus the OVAs, which I might not be able to afford for some time - if I decide to pay it, the ALA membership fee will kill all my extra cash and then some this month). You have no idea how happy this makes me. I would list this series among my top 5 favorite anime. I've only ever seen it all in English dub, so it's a treat to see it in Japanese. Watching this while I'm watching Fullmetal Alchemist: Brotherhood really brings home how fast the new series is speeding through things. On the one hand, I think that does a disservice to the characters and some of the heavier emotional stuff, but, on the other hand, the pacing of the original series could've been a tad faster.
  • In Odd We Trust by Queenie Chan and Dean Koontz - I haven't quite figured out yet how much of the writing Koontz did versus Chan, but, regardless of who did how much, I wasn't impressed. This manga-inspired volume, which takes place before the events of Koontz's Odd Thomas, didn't communicate Odd's charm well. Plus, the story was very simplistic, and the art was wooden. I don't know what Chan's art is like in her other works, but, in this, the artwork as a whole needs to be more dynamic and there are basics, like perspective, that need work (Sherry's headband, or whatever you call it, really bothered me - you can always see the entire curve of it, even when her face is in profile).
  • Skip Beat!, vol. 1 by Yoshiki Nakamura - ILLiad is down at my library and has been down for two weeks now, so, while I'm happy that I've started reading this manga, I can't wait until it's possible for me to request the next volume, because it seems like it might be a while before I can reach the point where the anime ended. I really like this series, but I have to admit that I prefer the anime so far - I just like the artwork in the anime better.
See how fantastically behind I am? Well, for now I'm just going to go do some neck stretches, but maybe I'll get a full post written tomorrow. Right.