Showing posts with label Shimada (Soji). Show all posts
Showing posts with label Shimada (Soji). Show all posts

Monday, July 17, 2023

REVIEW: One Love Chigusa (novella) by Soji Shimada

One Love Chigusa is science fiction. I bought my copy new.

Review:

This takes place in the relatively near future, 2091. Xie Hoyu, a 25-year-old man, gets into a terrible motorcycle accident that would likely have killed him if it weren't for advancements in modern medical technology and a coincidentally nearby ambulance. Even so, the work done on him was particularly extensive, and he was left with a cyborg body that had more non-organic parts than anyone else in the world. His doctors were reassured that he seemed to be healing and adjusting well. The one difference that Xie initially noticed was a lack of interest in human company.

When it comes time for him to be discharged, however, the differences in his perceptions of the world become more apparent. Human faces, particularly women's faces, now look demonic and distorted with anger. It's so difficult for him to be around others that he begins contemplating suicide, until one day he sees his salvation: a woman whose face and manner are both refreshingly human and exceedingly beautiful. He becomes consumed by a desire to find her again and speak to her.

Wednesday, December 11, 2019

REVIEW: Murder in the Crooked House (book) by Soji Shimada, translated by Louise Heal Kawai

Murder in the Crooked House is a Japanese locked room mystery. It's technically the second book in a series (the first was The Tokyo Zodiac Murders), but it works fine as a standalone - the only thing the two books have in common is a Sherlockian detective-type character and his sidekick, and they don't show up until very late in this book.

Review:

Kozaburo Hamamoto, a rich businessman, invites several guests to stay at the Ice Floe Mansion, his eccentric creation, during the Christmas of 1983. The mansion consists of a main building with a confusing layout and very slightly sloping floors, as well as a tower modeled after the Leaning Tower of Pisa. Kozaburo's room is at the very top of the tower, reachable by a drawbridge. A couple of his family members, his staff, and his guests are all in various rooms in the main house.

Things are a little awkward and tense right from the start. Eiko, Kozaburo's daughter, flubs a few of the introductions: she completely forgets Ueda, Mr. Kikuoka's chauffeur, and manages to embarrass both Kumi Aikura (Mr. Kikuoka's "secretary," who everyone knows is also his mistress) and Hatsue Kanai (the wife of Michio Kanai, an executive at Mr. Kikuoka's company). Among the guests are also two rivals for Eiko's hand in marriage, Shun Sasaki and Masaki Togai. After one of the guests is murdered in a locked room, the police begin investigating. As in The Tokyo Zodiac Murders, readers are invited to follow the clues, look at various crime scene and building illustrations, and potentially solve the mystery themselves.

Saturday, October 21, 2017

REVIEW: The Tokyo Zodiac Murders (book) by Soji Shimada, translation by Ross and Shika Mackenzie

The Tokyo Zodiac Murders is a Japanese mystery novel.

Review:

The Tokyo Zodiac Murders starts off with a “last will and testament” written by Heikichi Umezawa in 1936. In this document, he detailed his belief that he is possessed and how he came to the realization that killing six of his daughters and nieces would solve his problems. Using their zodiac signs as a guide, he’d take one body part from each young woman and construct Azoth, the perfect woman.

The story then fast forwards to about 40 years later. Kazumi, a mystery fan, is describing the facts of the Tokyo Zodiac Murders to his friend Kiyoshi, an astrologer and occasional detective. The six young women were, in fact, killed and mutilated in the manner described in Heikichi’s will, but Heikichi couldn’t possibly have done it: he’d been dead for several days prior to the murders. In addition to Heikichi’s murder and the Azoth murders, one of Heikichi’s other stepdaughters was also killed. No one is sure whether that murder was related to the others or not.

After Kiyoshi takes on a client with a distant but potentially embarrassing connection to the case, Kiyoshi and Kazumi end up with a one-week deadline to solve a mystery that no one else has managed to solve in 40 years. Diagrams included throughout the text invite readers to solve the mystery along with them.